by Alastair Crooke
Strategic Culture Foundation
The intrusion of some wholly extraneous event – like a pandemic – into any given status quo doesn’t necessarily break it, in and of itself. But it exposes cruelly the shortcomings and workings of the existing status quo. It shows them, as not just stark naked, but also with its dark backstage of barely legal, dole-outs to business, and Wall Street friends, suddenly spotlighted.
Fyodor Dostoevsky sets out in The Brothers Karamazov an allegory that can be applied to our times, but was set in Seville, in the most terrible time of the Inquisition, when fires were lighted every day to the glory of God (rather than today’s ‘glory to Mammon’), and in that splendid auto da fé, when wicked ‘heretics’ were burnt alive. It was published in 1880.